About Chopin and the Romantic Piano

This course offers an opportunity to meet in a friendly and supportive atmosphere to play solo piano music under the guidance of an expert, experienced and encouraging tutor.

What is the course about?

This popular course led by Timothy Barratt explores the rich flowering of keyboard writing from 'The Century of the Piano'. The opportunity to luxuriate in the beauty of Chopin’s exquisite works or explore the fantasy world of Schumann are just two possible areas for exploration from an impressive array of composers which include, amongst others, Mendelssohn, Brahms, Liszt and Grieg.  Pianists of intermediate (minimum Grade 5) and advanced level are invited to prepare two or three own choice pieces to work on during the Course and Tim will offer stylistic insights and technical help to improve confidence. Open, lively discussion is encouraged throughout the Course within a friendly, supportive environment.

What will you learn?

We will cover:

  • Overview of Romantic repertoire and style.
  • Discussion of structure and musical features of Romantic composers.
  • Managing textures, rhythm/pulse, touch, pedalling, rubato, phrasing and dynamics in performance of Romantic music.

By the end of this course, you will:

  • Play with greater confidence to a supportive, sympathetic audience.
  • Gain an overview of the Romantic Piano repertoire and the means to achieve a stylish performance.

How will the course be taught?

There will be daily one-to-one sessions and individual tuition within group settings led by the tutor. However, participants are encouraged to contribute towards supportive feedback.

Discussion on style and repertoire.

Who is the course for?

Standard: Improver, Confident, Skilful

Will music be provided and do you need to prepare or bring anything?

Music will not be provided. Participants should bring a copy of the pieces they intend to play during the Course. The library contains an extensive collection of piano music which may be borrowed for reference - or an iPad might be useful for sourcing music. 

Preparation at home of the chosen pieces is vital for gaining maximum benefit from the course.

In addition to chosen pieces, participants may like to bring some duets (e.g. Brahms Waltzes Op 39, Dvorak Slavonic Dances, Grieg Norwegian Dances) for informal music-making during the course.

I really enjoyed the intense workshops. I haven’t been on a music course before but this was so lively, engaging and yes fun that I will be booking again. The tutor was knowledgeable and enthusiastic and not too critical. Great!

Very well presented. Tim Barratt was very organised and made the most of the time.